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recognise the role of Indigenous people in the conservation and ecologically sustainable use of Australia's biodiversity.promote ecologically sustainable development through the conservation and ecologically sustainable use of natural resources.control the international movement of plants and animals (wildlife), wildlife specimens and products made or derived from wildlife.enhance the protection and management of important natural and cultural places.provide a streamlined national environmental assessment and approvals process.provide for the protection of the environment, especially matters of national environmental significance.The Australian Government Department of the Environment (the Department) administers the EPBC Act. Heads of agreement on Commonwealth and State roles and responsibilities for the environment.The EPBC Act focuses Australian Government interests on the protection of matters of national environmental significance, with the states and territories having responsibility for matters of state and local significance. The EPBC Act enables the Australian Government to join with the states and territories in providing a truly national scheme of environment and heritage protection and biodiversity conservation. Environment Protection and Biodiversity Conservation Regulations 2000.The Environment Protection and Biodiversity Conservation Act 1999 ( EPBC Act) is the Australian Government's key piece of environmental legislation which commenced 16 July 2000. Help on assessment and approval notifications.Public notices and invitation to comment.Assessment and approval process policies.Improving our efficiency and effectiveness as an environmental regulator.How State and Federal Governments work together.World Heritage properties and National Heritage places.Water resources - 2013 EPBC Act amendment - Water trigger.Listed threatened species and ecological communities.Advice for approval holders during COVID-19.Environment Protection and Biodiversity Conservation Act 1999.
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How wonderful to hold it tight all these years, and just wait for your band of misfits to come along. The original song became an ur-text of outcast misery. Hence, the reclaiming of “Friday,” with a chaotic, loopy, joyful, meta-hyperpop remix with Dorian Electra, Big Freedia and 3OH!3, all produced by Dylan Brady of 100 gecs. Musically, she’s found her footing as an outré eccentric with sturdy savvy, an ideal approach for - and a natural position for - someone who’s been chewed to pulp by the internet. But Black has been releasing music steadily, and quietly, for the last few years, and recently she’s been inching back into the spotlight as a reliably charming presence on TikTok. It’s been around a decade since “Friday,” her debut single, made her an early casualty of social media cruelty.
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Or perhaps you could take the Rebecca Black route. Sure, you could do a note-for-note rerecording that serves primarily as a middle finger to equity investors. Send a message to the people who robbed that thing of the pleasure and satisfaction it brought you. Take a thing that made you well known, and reclaim it. But Swift has so far brought a sense of triumph, grace and artistry to the endeavor, and in doing so has begun the process of retelling her story on her own terms. Swift is more interested in impressive note-for-note simulacrum than revisionism here, though sharp-eared Swifties will delight in noticing the tiniest differences (like the playful staccato hiccup she adds to “Rom-e-oh!” on the second pre-chorus.) When Swift first announced her intentions to rerecord her first six albums, skeptics wondered if the whole project was just an uncomfortably public display of personal animosity toward her former business partners, and the songs’ new owners. Not only is it one of her most beloved hits, but it also means that the first new-old lyric we hear the 31-year-old Swift sing is, “We were both young when I first saw you” - an immediate invocation of the past that subtly reframes the recording as a kind of tender love song to her 18-year-old self. As the first official release of her rerecorded back catalog, “Love Story,” from Taylor Swift’s 2008 album, “Fearless,” is a savvy pick.